Ode to Dilwale Dulhaniya Le Jayenge during IIFA 2015 for completing 1000 weeks

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Kuala Lumpur: The strike onscreen integrate Shah Rukh Khan and Kajol starrer 1995’s iconic regretful drama, Dilwale Dulhaniya Le Jayenge, was celebrated during a 2015 IIFA awards for a successful run of 1000 weeks during one of India’s theatres.

The rite hosts, Ranveer Singh and Arjun Kapoor, stepped into a boots of Simran (Kajol) and Bauji (Amrish Puri) respectively while a lookalike of Shah Rukh donned Raj’s role as a 3 did a waggish dramatization of a movie’s famous consummate scene.


DDLJ. Image from IBN live.

The fraud had assembly shouting out shrill as they presented a method from a suppositious viewpoint of current Bollywood filmmakers – Prabhudheva, Karan Johar, Abbas Mustan and Anurag Kashyap.

Choreographer-director Prabhudheva’s territory was tilted “Any Rajkumar Can be Jackson”. Taking a taunt during a director’s action cinema R… Rajkumar and Action Jackson, a actors showed that had DDLJ been done by him, it would have ended with a nail-biting fighting stage surfaced with complicated one liners “Don’t Angry Me” and “It’s My approach or Sky way”.

Mocking Johar’s high-end design-wear depiction of romance, a hosts pronounced Simran, in a director’s DDLJ, would have been some-more tensed about her lehenga than boarding a sight with Raj.

Whereas, torment play dilettante twin Abbas-Mustan’s segment “Race Dilwalon Ki“, an apparent anxiety to their hit franchise Race, had twists like both Kajol and Amrish Puri saying during a finish “Main Hoon Simran” and Shah Rukh turning
into Saif Ali Khan.

The final partial was Anurag’s DDLJ called “Gangs of Dilwale”, that instead of being shot in an outlandish foreign location was shown to be set in a tiny city in Uttar Pradesh.

Making fun of Anurag’s dual partial assault play Gangs of Wasseypur, his take on a epic film was shown carrying rustic
elements of a state with a famous “Senorita” discourse in Bhojpuri.

The Aditya Chopra-directed film, that finished 1000 weeks final December, is still using during Mumbai’s Maratha Mandir.