Is it only a small fluke that days forward of a recover of Bajirao Mastani, where a strife between warrior-lovers Ranveer Singh and Deepika Padukone is unfailing to happen, a new strain ‘Albela sajan aayo re’ from a film shows Priyanka Chopra gorgeous us with her intense dancing?
The strain is filmed in sublimely jam-packed colours of fun and ecstasy, and is a jubilee of home-coming. The mother breaks into a dance of jubilant as her warrior-husband returns. The strain is in a tradition of Lata Mangeshkar’s ‘Ghar aaya mera pardesi’ from Aawara or Kavita Krishnamoorthy’s ‘Mera piya ghar aaya’ from Yaaraana.
Priyanka’s expressions of enthusiasm are impossibly infectious. So distant we’ve seen really small of her in a film, yet could that be changing?
In a initial strain ‘Deewani mastani’ Deepika Padukone took core theatre as a woman, who seduces a warrior-ruler with her dancing. Priyanka had only one shot to herself where she looks down during a stage next of her husband’s penetrating seductiveness in another woman.
In that one shot, Priyanka’s countenance of comfortless beauty was exceptional. Then came a argumentative ‘Pinga’ strain wherein Priyanka totally outdanced Deepika.
And now in a ‘Albela sajan aayo re’ strain and dance, she is a mural of delicate refinement and wedding pride.
So a doubt to ask is, will Priyanka Chopra prove to be the scene-stealer in Bajirao Mastani, even yet she doesn’t have an author-backed pretension role? It has happened in a past that an singer has stolen adult on her distinguished co-stars and walked divided with a praise.
In Yash Chopra’s Daag a whole concentration of seductiveness was on a tried-and-tested Rajesh Khanna-Sharmila Tagore pair. But it was Raakhee who got all a commend and a awards.
Is Priyanka all set to do a Raakhee Gulzar on Deepika? We shall have a answer in only a few days.